Biography
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Though not a major "household name", Jennifer Jason Leigh's work
has drawn high critical acclaim and a cult following. Salon
magazine praised Jennifer as “one of America’s best actors”,
Paul Verhoeven, who directed her in Flesh & Blood, similarly
claimed “There is no greater actress working in America”, and in
1994 Vogue magazine claimed “Leigh sets a standard that all
future film actresses must attempt to match… (She has) an
extraordinary range and power. The proof is in her diverse,
courageous and mesmerizing body of work”. Unusually for an
actress of her age, she has already received three separate
career tributes – at the Telluride Film Festival in 1993, a
special award for her contribution to independent cinema from
the Film Society of Lincoln Center in 2002, and a week-long
retrospective showing of her film work held by the American
Cinematheque at Los Angeles’ Egyptian Theatre in June 2001. In
addition to these achievements, Jennifer Jason Leigh was
selected as one of "America's 10 Most Beautiful Women" by
Harper's Bazaar magazine in 1989.
Born Jennifer Lee Morrow, she is the daughter of Blackboard
Jungle actor Vic Morrow and Pollock screenwriter Barbara Turner,
although Leigh was raised mostly without religion. Jennifer
changed her middle and last name, taking the middle name "Jason"
in honor of family friend, the late actor, Jason Robards, Jr.
At the age of 14 Jennifer Jason Leigh attended summer acting
workshops given by Lee Strasberg and received her Screen Actors
Guild membership in an episode of the TV show Baretta when she
was 16. An episode of The Waltons and several TV movies
followed, including an unusually powerful portrayal of an
anorexic teenager in The Best Little Girl in the World, for
which Leigh wasted away to a skeletal 86lbs under medical
supervision. Jennifer Jason Leigh made her screen debut as a
blind, deaf and mute rape victim in the 1980 slasher flick Eyes
of a Stranger, which she later remembered as “a horrible,
horrible film”. In 1982 she played a virgin who gets pregnant in
Amy Heckerling’s popular high-school comedy Fast Times at
Ridgemont High, which served as a launching pad for several
then-unknown future stars besides Leigh, including
Sean Penn,
Nicolas Cage,
Forest Whitaker, Eric
Stoltz and
Phoebe Cates.
As an adult, Jennifer Jason Leigh gravitated towards portraying
fragile, damaged or neurotic characters. Jennifer Jason Leigh's
waify baby-doll looks soon got her cast in victim roles – she
was a virginal princess kidnapped and raped by mercenaries in
Verhoeven’s medieval adventure Flesh & Blood (1985), an innocent
waitress dismembered by a lorry in The Hitcher (1986), and a
young woman sinking into mental breakdown in a seedy nightclub
inherited from her uncle in Heart of Midnight (1989). It wasn’t
until 1990 that Jennifer made a significant career breakthrough
when she was voted the year’s Best Supporting Actress by both
the New York Film Critics Circle and the Boston Society of Film
Critics for her portrayals of two very different prostitutes:
first as the tough, emotionally numb, self-destructive
streetwalker Tralala – who instigates a gang-rape by drunkenly
giving herself to all the men in a bar – in Last Exit to
Brooklyn, and then as the sweet, braindead waif whose dreams of
suburban bliss are shattered by psychotic ex-con
Alec Baldwin in
Miami Blues. She followed up with another harrowing performance
as an undercover narcotics cop who becomes a junkie in the line
of duty in Rush (1991), and the role most filmgoers associate
her with: Hedy, the psychotic “Roommate from Hell” in the
smash-hit thriller Single White Female (1992). Leigh was
perfectly cast as the needy, frumpy emotional vampire intent on
stealing Bridget
Fonda’s identity, in the process creating one of the
screen’s creepiest female psychopaths. She had a rare
opportunity to showcase her dazzling comic timing as a
fast-talking, hard-as-nails bitch reporter who has her heart
melted by Tim Robbins in the Coen Brothers’ surreal comic
fantasy The Hudsucker Proxy (1994), and won a slew of awards for
her eccentrically mannered portrayal of the depressed, alcoholic
writer and poet Dorothy Parker in Alan Rudolph’s Mrs. Parker and
the Vicious Circle (1994). Some criticized Jennifer’s decision
to deliver dialogue in a slurring, lockjawed mumble, but her
speech was an uncannily accurate impersonation of the real
Dorothy Parker; she received a Golden Globe nomination and Best
Actress awards from the National Society of Film Critics,
Chicago Film Critics Association and Fort Lauderdale Film
Critics.
Next up was the role that many critics, fans and even Leigh
herself considers the greatest performance of her career: Sadie
Flood, a passionate but talentless, angry, substance-addicted
barroom rock singer living in the shadow of her successful older
sister (played by Mare Winningham) in Georgia (1995). For this
role Leigh dieted down to 90 pounds and performed all the songs
live, including a painful 8½-minute version of Van Morrison’s
“Take Me Back”. Critic Peter Travers of Rolling Stone felt that
“(Leigh’s) fierce, funny, exasperating and deeply affecting
portrayal commands attention”, James Berardinelli claimed “There
are times when it's uncomfortable to watch this performance
because it's so powerful”, while Kenneth Turan of the Los
Angeles Times said “Leigh’s exceptional performance tears you
apart… we’ve never seen anything like it before”. This time
around she won Best Actress awards from the New York Film
Critics Circle and Montreal World Film Festival, though not the
expected Oscar nomination which mysteriously still eludes her.
Other memorable Jennifer Jason Leigh roles of this era included
a jaded phone s-- operator who diapers her newborn baby while
plying her trade in Robert Altman’s Academy Award-nominated
masterpiece Short Cuts (1993),
Kathy Bates’
tormented, pill-popping journalist daughter in the Stephen King
chiller Dolores Claiborne (1995), a streetwise kidnapper in
Altman’s jazz tribute Kansas City (1996), a mousy 19th century
spinster heiress courted by a gold-digger in Washington Square
(1997), and a s--y/nerdy virtual-reality game designer hunted by
anti-games terrorists in David Cronenberg’s surreal eXistenZ
(1999). In 2001 she joined forces with Scottish actor Alan
Cumming to write, direct and produce a film together, shot in 19
days on digital video and starring real-life Hollywood friends
like Kevin Kline, Phoebe Cates, Gwyneth Paltrow,
Jennifer Beals,
John C. Reilly
and Parker Posey.
The result was The Anniversary Party, a well-received ensemble
comedy in the style of The Big Chill or Peter's Friends.
Jennifer Jason and Cumming jointly received a citation for
Excellence in Filmmaking from the National Board of Review, and
were nominated for two Independent Spirit Awards for Best First
Feature and Best First Screenplay.
More recently Leigh has been cast in smaller character roles: as
gangster Tom Hanks’
doomed wife in Sam Mendes’ Road to Perdition (2002), as Meg
Ryan’s brutally murdered sister in Jane Campion’s In the Cut
(2003), and as Christian Bale’s sympathetic hooker girlfriend in
the dark thriller The Machinist (2004) (causing Mick LaSalle of
the San Francisco Chronicle to comment that, “As the
downtrodden, s--y, trusting and quietly funny prostitute, Leigh
is, of course, in her element”). Her performance as a
manipulative stage mother in Childstar won her a Genie Award in
2005.
Also a stage actress, Jennifer Jason Leigh took on the singing,
dancing lead role of Sally Bowles in the popular musical Cabaret
on Broadway from August 4, 1998 to February 28, 1999, and took
over from Mary Louise Parker in Proof from September 13, 2001 to
June 30, 2002. Other theatrical appearances include The Glass
Menagerie, Man of Destiny, The Shadow Box, Picnic, Sunshine and
Abigail's Party.
Jennifer and her boyfriend of four years, Academy
Award-nominated independent film writer-director Noah Baumbach
(The Squid and the Whale), announced on September 26, 2005 that
they had married the previous weekend. The couple are planning
to collaborate on a film project starring
Nicole Kidman
in the future.
Jennifer Jason Leigh has been best friends with her Fast Times
at Ridgemont High/The Anniversary Party co-star Phoebe Cates for
nearly 25 years. Other close friends include Mare Winningham,
Alan Cumming and John C. Reilly.
Film List for Jennifer Jason Leigh
Trivia for Jennifer Jason Leigh
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